With almost no partitions, the interior layout truly opens out as a spacious expanse in all areas, providing continuous wall surface to exhibit the firm’s exclusive art collection. As a representation of the firm’s business of paper, the furniture such as seats, desks, cabinets and workstations have been crafted like pieces of origami art with the sandwiched plywood sheets seeming to fold up angularly into the required forms. This paper-folding of plywood sheets is supported with steel frame-work to sync with the steel exteriors and some interior walls, with steel sections crossing overhead as the ceiling too. Mirror and clear glass sandwiched with film form the café and reception table tops, which contrast elegantly with the vacuum dewatered raw look of the flooring. The work space walls alternate between finely detailed exposed brickwork, smooth or textured concrete, panels of steel and plywood panelling in varying gradients to create a charming earthy aura. Colour appears in all its brightest hues only on the long, unending walls of the art gallery, the single file display of art works teaming up with the single row of linear ceiling lights and the single room-length step running down the middle of the floor to create a dramatic directionality. Strings of exclusive origami suspended from the ceiling or other paper crafts placed on counters are the ornaments of decoration used in this unpretentious interior.